Still from one of the films made for my MA.
Finishing off and reflecting
Next week I shall be
putting up my MA show. It is held in the Architecture building of UCA
Canterbury, a surprisingly uninspiring space for any learning or presentation.
In the meantime I have to
finish all the presentation materials that I hope to display, last week I
handed in the last piece of written work that was required for the course. The
Critical paper was fairly short, in words, but had to be concise and reflect on
my final project which took a lot of photographs, drawings and film, so it
became a fairly lengthy document.
To date there are four
films that are on my Youtube Channel ‘Trace and Traversal’. Sharing the films
on Youtube was the best way to publicly ‘air’ them. I hope to have two of these
films running at my show. ‘The Summer Solstice full-moon walk on the Salt Way’
film has been edited by Erin Lauren-Hayhow and I find it beautifully
mesmerising. This will hopefully be run on a loop, it has background sound but
that is ok to hear as low noise in the display area. Watch the film here.
Second still from a moving film...
The other film explaining
about the Storywalk concept has a narration by Chris Jelley and I hope to have
some earphones ready for people to ‘plug in’ to the film if they wish.
Watch his introduction to Storywalks here.
Last night I worked on the
profile of the walk. It is a foam-board cut out representation of the
topography, which will show the length of the path to scale showing the
undulations of the landscape. This is unlike a geological cross-section, which
would possibly run across the area along a set grid reference. My profile is
constructed from using a website that enables me to pin-point locations on a
map and obtain the longitude, latitude and heights above sea level. It has been
very useful for plotting the route using many historic references to the Salt
Way. The website is http://gridreferencefinder.com
Photographs of the smallest three scaled models
I have nearly finished
three small-scaled studio models that are to be on display. These are a set,
which represent the site-specific way-markers that I have designed for the Salt
Way which tell the story of Salt-making in their construction. The models
construction needed to be thought upon, I refer to this in an earlier blog, but
I finally worked out a method and I think they look quite beautiful. I have
always admired the work of Rachel Whiteread and during my research I have
further researched and referred to her work.
Here is a link to an article on her
Next is an except from my
critical paper that explains the process of making the models.
‘I cast the models in the
natural environment, firstly creating a negative of the form that I wanted,
putting a square mould around it and filling with plaster of paris, creating a
square imprinted form that when extracted also left a trace of its existence as
a curious feature on the ground. I had initially planned to make the models in
another way but experimenting with the process itself encouraged me to explore
the idea of imprinting my models using a negative form instead, staying honest
to the ideas of my project has highlighted on the importance of trace in the
environment.’
My project has been about
finding meaning in the landscape, looking at how I could create a design
strategy to connect people to an unfamiliar place by their interaction with it
in a variety of ways. I looked in depth at traces left in the landscape and our
traversal through it.
This hopefully explains
why I am contemplating calling my show and related publication (yet to be
completed!) ‘Trace and Traversal.’
There is tonight and
another full day left to finish that and many other pieces of work ready to
display the following week. Wish me luck!